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Design & Communication, a publication
by French Furniture Industries,
distributed by Editions du Seuil, under the direction of Christine
Colin
Since 1981, the Design & collection, formerly
Les Villages, has introduced each year a theme for thought on
questions underlying design and production of contemporary furniture.
The work brought out in 2003 examines the links between design
and communication.
What does communication represent nowadays in designers’
work? How does it relate back to the shape of contemporary objects?
Have designers become specialists in 3D communication? What
are the opinions of manufacturers, publishers, photographers,
advertising agencies, historians and, of course, designers?
Design & 1993-2003. The
collection
In 1993, by naming the collection “Les Villages”,
Jean-Claude Maugirard intended to draw attention to “the
relationship with others” which is a feature of villages.
The new title of the collection, Design &, stays true to
this intent to return design within its relations with firms
and the many people involved who contribute to designing, manufacturing
and distributing furniture.
Focusing on young designers, the collection has taken
account over the years of the emergence of this generation of
French designers who go to make Paris one of the main venues
of European design, including Ronan and Erwan Bouroullec, Radi
Designers, Pierre Charpin, Christophe Pillet, Thibault Desombre,
Delo Lindo, Jean-Marie Massaud, Frédéric Ruyant,
Xavier Moulin and Olivier Peyricot, Vincent Beaurin to mention
a few…
Born at the close of a decade, the 1980s, and marked by the
spontaneity of young design and its strong media presence, the
aim of the collection is also to stand back, discuss trends
and developments and also permanent features. Once a year it
attempts to free itself from modern-day restraints and the needs
of the industry so as to open up areas for discussion on the
themes underlying the design and manufacture of contemporary
furniture: development of comfort types, influence of the structure
of product ranges on the design, influence of archetypes on
the design of the 1990s etc.
Another goal of the collection is to highlight the creative
dimension of manufacture and production. It takes account of
the whole process involving design and collects and collates
accounts by all those playing a leading part: manufacturers,
distributors, marketing experts, stylists, sociologists etc.
Against this background it was able to compare the experience
and expertise of a number of French and European manufacturers,
including Grange, Roset, Allibert, Flos, Herman Miller etc.
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