Paperback
16.5 x 24 cm
156 pages
Bilingual text : French and English
Illustrations: 130 colour, 20 black and white
What were the great design Utopias of the
20th century: total art, design for everyone, 'tabula rasa',
dematerialisation? And what has become of them: 'Dream products',
virtual reality, Moral Market?
Design has a privileged relationship with utopia in many ways.
Because it often has a tendency to deny functional, industrial
and commercial principles of reality. For better and for worse.
Because it has embodied and still conveys all kinds of hopes:
in technical progress, in democracy and in a 'better' future.
De facto, design has largely relayed industrial utopias. Which
ones does it relay today? 'We are lucky to have a symbolical
date that will force us to carry out a kind of inventory of
our society,' said Philippe Starck when the Good Goods (Bonne
Marchandise) catalogue was published in September 1998. And
we have been lucky to have been able to use the Bonne Marchandise
catalogue to carry out a kind of audit of utopia in the design
world at the close of this millennium.
Contents :
Forward by Henri Griffon, Président
des Industries Françaises de l'Ameublement, texts by Christine
Colin (Good Goods or utopia in 8 T-shirts), Thierry Chabanne (The
Total Work of Art), Michel Buisson (Utopia in works), Pierre Doze
(Is this where we live?), Catherine Geel (Inflatable, deflatable,
and profitable too), interviews with Giulio Cappellini, Eugenio
Perazza (Magis), Antonio Citterio by Brigitte Fitoussi, Elsa Francès
(Thomson), Nick Hayek (Swatch), Serge van Hove (Renault), Elisabeth
Laville (Utopies) by Florence Michel, Paul Virilio (Utopia to
a Tee) by Odile Fillion, projects and work by Philippe Starck,
Ronan and Erwan Bouroullec, Jasper Morrison, Xavier Moulin, Jean-Marie
Massaud, TimThom, François Azambourg, Frédéric
Ruyant, Archizoom, Yona Friedman, Actar Arquitectura, Asymptote
Architecture, MVRDV, Ilya Kabakov, Kyoichi Tsuzuki, Inflate, Yohji
Yamamoto, Jean-Paul Jungmann, Valvomo. Graphic design : Grégoire
Gardette, copy editor : Pierre-Michel Rainon, translation : Ronald
Corlette Theuil.