| For the tenth consecutive
year, Industries Françaises de l'Ameublement is pursuing
the process of reflection it set in motion in 1993 with
the launching of the Les Villages series, renamed this
year DESIGN &. Since 1993, DESIGN &'s annual, thematic
publications have explored different areas of reflection
underpinning the design and production of contemporary
furniture.
In 1993, by naming the collection Les Villages, Jean-Claude
Maugirard wanted to draw attention to the 'human relationships'
that characterise the village: 'nobody is responsible
for building a town except time, the multitude of craftsmen
who first built it then the people who have lived there
since'. The series' new title, DESIGN &, remains faithful
to this aim to put design back in its context, to see
it in terms of in its relationships with industry and
the host of specialists who play a part in furniture design,
production and retailing.
The collection has always kept an eye on new talent and
has, over the years, played a part in the emergence of
a generation of French designers who have helped establish
Paris as a major centre of contemporary European design:
Ronan and Erwan Bouroullec, Radi Designers, Pierre Charpin,
Christophe Pillet, Thibaut Desombre, Delo Lindo, Jean-Marie
Massaud, Frédéric Ruyant, Xavier Moulin and Olivier Peyricot,
Vincent Beaurin, to name but a few. |
The aim of the
series, which was born at the end of the eighties, a decade
marked by the spontaneity of its young designers and their
high media profile, is also to step back and objectively
question not only movements and trends but also the things
that remain unchanged.
Once a year, it invites us to throw off everyday constraints
and industrial necessities and open up paths of reflection
on themes underpinning the conception and production of
contemporary furniture: the evolution of comfort typologies,
the influence of organised ranges on design, the influence
of archetypes on design in the nineties, etc.
The collection has also set itself the task of highlighting
the creative dimension of furniture making and production.
It aims to cover the whole process, of which design is
just a part, and gather and cross-pollinate the views
of all its protagonists: manufacturers, retailers, marketing
consultants, draughtsmen, sociologists, etc. In this context,
it has passed on the experience and know-how of many French
manufacturers, including Grange, Roset, Allibert, Flos,
Herman Miller, etc. |